My music is an expression of myself and my childhood is the foundation of who I am.

I started experimenting with my voice around the age of nine by mimicking voices of performers like Musiliu Ishola.

I turn down subjects frequently because I'm not meant to shoot everything.

I am not pompous enough to think of myself in those terms.

I don’t make a conscious attempt to stretch anyone’s imagination.

I write what I want to write about, so that reduces the pressure.

I had my fears prior to coming back to Nigeria to work in Nollywood but overtime it has been the right decision for me.

I am actually happy that I introduced a great style of Fuji to Nigeria and Africa, I am happy that the younger generations can get inspirations from my classics or even do remixes of my past songs.

I think that seeing the entire body of an artist's work--after they pass on--is incredibly special because you are able to see connections in the work over a lifetime.

The records catch the music, but not the live trance and magic. I loved King Sunny live.

Henri Cartier Bressons says you’ve only just started taking photographs once you’ve taken your thousandth photo. This is about a film camera.

In my TED Talk, I don’t think I articulated my points very well. I knew what I wanted to communicate but I was all over the place.

Well, I’m not really a car guy so I don’t pay much attention to the car culture, unless I see something extraordinary.

45 days ago I received an email notification on my phone from a writers platform known as Medium.